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Veranda published designer David Kaihoi’s advice on framing and hanging art, emphasizing that choices should respond to the artwork and the room rather than follow a fixed formula. He recommends testing frames in person, mixing styles for collected groupings and matching frames when works are intended to hang as a series.
Veranda has published advice from interior designer David Kaihoi on how to frame and hang art at home, recommending that people choose frames and arrangements in response to each artwork, the room’s architecture, furniture and light. His approach differs from a uniformly arranged gallery wall: he favors flexibility, with matching frames for works displayed as a series and mixed styles for a more collected grouping.
Kaihoi, a partner at the design firm Redd Kaihoi, draws on earlier work as a fine-art installer in New York, where he helped interior designers hang art in varied ways. He recalls one designer arranging several pictures together and another using a single small portrait on a large dining-room wall. The contrast, he said, showed him how different approaches could work in a home.
For frame selection, Kaihoi advises first considering what will support the art rather than compete with it. A black frame may suit some works, while raw wood, gilt or silver-gilt details may complement others. Room location can also inform the choice: he suggests natural wood as one possibility for a beach setting and glossy black for a more elevated city interior. These are examples of his preferences, not fixed rules.
Kaihoi recommends comparing frame samples with the artwork in person because a pairing that seems right in theory may not work when viewed together. He also suggests looking for secondhand frames at auctions, flea markets and antique markets, including cases where the frame itself is the reason to buy an object. For arrangements, he favors identical frames when works are meant to be installed together, such as related prints or portraits, and a more varied mix for salon-style groupings or pieces displayed separately.
A Room-Specific Approach to Art
The advice offers readers a practical alternative to treating art placement as a set of measurements or a single prescribed style. Kaihoi’s central point is that a frame affects how a work reads, while its placement relates to the room around it. Looking at the artwork and setting together may help homeowners make choices that feel intentional without making every wall look identical.
His distinction between series and collected groupings is especially useful: a consistent frame can visually connect related works, while varied frames can support a less formal arrangement. Suggestions such as testing samples and considering used frames also give readers concrete ways to compare options before committing to a custom purchase. The article presents these as a designer’s guidance, not as a guarantee that one style will suit every home or artwork.
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Lessons From Installation Work
Kaihoi’s framing advice grew out of work installing art for interior designers after college. In the account published by Veranda, he describes seeing markedly different hanging choices in professional interiors, from multiple pictures arranged together to a lone portrait displayed on a large wall. He said those experiences broadened his understanding of how art can interact with a room.
The report also identifies Kaihoi as one half of Redd Kaihoi, a design partnership with projects in places including Dallas and Palm Beach. The supplied source focuses on his personal approach and examples; it does not offer a survey of designers or establish an industry-wide standard for framing and hanging art.
“The gallery hanging approach is meant for a museum, and it has its place, but in the home, I think it can be much more lively, playful, and up for grabs.”
— David Kaihoi, as quoted by Veranda
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Advice, Not Fixed Hanging Rules
The source presents Kaihoi’s professional opinions and examples, not universal standards or a tested set of rules. It does not specify measurements for hanging art, provide a step-by-step installation method, or explain how to choose hardware for different wall types and artwork weights. Frame and placement decisions remain piece-specific, and the article does not claim that any one combination will work in every home.
The supplied material also ends as it begins a section on common framing mistakes, after the words “Using all-new frames.” It does not provide the rest of that section, so no further mistakes or recommendations from it can be confirmed here.
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Compare Frames Before Hanging
For readers applying Kaihoi’s advice, the next practical step is to set potential frames beside the artwork and view them in the room where the piece will hang. Compare how the frame relates to the work’s colors and materials, as well as the room’s light, furnishings and finishes. For a group, decide first whether the pieces form a series or are intended to feel collected.
Veranda’s article does not announce a follow-up, event or publication schedule. The source material leaves the larger framing-mistakes section incomplete, and it is not clear whether the original report contains additional advice beyond the excerpt provided.
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Key Questions
What is David Kaihoi’s main advice for framing art?
He says the frame should draw attention to and complement the artwork, rather than compete with it. He recommends considering the piece and its setting instead of following a single formula.
Should all the frames in a grouping match?
Kaihoi favors matching frames when works are intended to hang together as a series, such as related prints or portraits. For a salon-style wall or art displayed in different places, he suggests mixing frames to create a collected look.
How can I tell whether a frame suits a piece?
Compare possible frames with the artwork in person if possible. Kaihoi notes that a pairing that seems suitable in theory may compete with the work when viewed side by side.
Does the room affect frame choice?
Yes. Kaihoi says the location and interior can influence the choice; he gives natural wood in a beach setting and glossy black in a city interior as examples. He presents these as options, not strict rules.
Does the article give exact hanging measurements?
No. The supplied report focuses on design judgment and frame selection. It does not provide specific hanging heights, spacing measurements or installation instructions.
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