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Veranda published a roundup of 10 interiors using wicker, with examples spanning the Titanic, private homes and Caribbean hospitality spaces. The rooms show how designers pair woven furniture with settings from urban apartments to tropical pavilions; the article is a design feature, not evidence of a newly measured industry trend.
Veranda has published a roundup of 10 interiors that use wicker furniture across historic and contemporary settings, from the Titanic’s Café Parisien to homes and hospitality spaces in the Caribbean and United States. The feature presents examples of designers using woven furniture in varied rooms, but it does not establish that wicker has newly become a widespread design trend.
Veranda’s descriptions span more than a century of design and a range of uses. The magazine cites the Titanic Collection’s account of the ship’s Café Parisien, which describes a Parisian-style café with wicker seating, picture windows overlooking the ocean and ivy-covered trellis walls. For Rome, Veranda says designer Renzo Mongiardino furnished fashion designer Irene Galitzine’s winter garden with wicker sofas and chairs by Italian maker Bonacina.
Veranda also describes wicker mixed with furniture and finishes from different periods. In its account of a Rome living room by Ward Bennett for Marella Agnelli, the magazine notes large wicker pieces, a neutral palette and modern art. For a Maine home, it says Tom Scheerer placed antique Bar Harbor chairs beside a white Saarinen coffee table. The roundup further features an Alabama sunroom updated by Mark D. Sikes, where wicker seating is upholstered in patterned fabrics.
According to Veranda, the remaining selections include Hubert de Givenchy’s poolhouse at Le Clos Fiorentina, Amanda Lindroth’s Bahamian loggia, a Dominican Republic great room by Celerie Kemble, a Mustique dining pavilion refreshed by Veere Grenney, and the drawing room at Barbados’s Cobblers Cove, designed by Lulu Lytle. The supplied source material provides descriptions and image credits for these rooms, but no common measurement of their influence on the design market.
Wicker Beyond the Veranda
Veranda’s feature is visual rather than a report of a market shift: its examples illustrate how designers place wicker in different architectural settings, not just porches or beach houses. In the magazine’s accounts of Agnelli’s Rome apartment and Scheerer’s Maine living room, woven chairs sit alongside modern or antique pieces, while its resort examples pair wicker with tropical architecture, vivid color and sea views.
For readers, the examples offer a look at how the material can function indoors as well as outdoors. Veranda’s descriptions show upholstery, surrounding furniture and room architecture varying from project to project, making versatility the roundup’s central idea. The feature does not claim that all wicker is suitable for every space, nor does it provide durability or care guidance.
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A Long History in the Rooms
Veranda’s source material traces wicker use to at least the Titanic era and identifies Italian company Bonacina as a maker of woven furniture since the 19th century. That history helps explain why the magazine’s examples include both period interiors and recent design projects. Veranda places wicker in settings associated with leisure—winter gardens, sunrooms, poolhouses and pavilions—but also in an urban Rome living room.
Several projects, as described by Veranda, combine old and new rather than recreating a single historical style. The Mustique property, Obsidian, was designed in the 1970s by Oliver Messel for photographer Patrick Lichfield. The feature says the current owners hired Veere Grenney to refresh the home while retaining its island character, and that its wicker dining furniture was custom-made by Soane Britain to match the original designs. These details make the collection a set of distinct design examples, not a single coordinated project or trend study.
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The Trend Claim Has Limits
Although Veranda’s headline calls wicker a “design-world obsession,” the feature offers selected rooms, not trend data. It includes no sales figures, survey results or comparison with other materials, so it cannot establish how popular wicker is across the design industry or whether interest has recently increased.
The supplied excerpt also ends during its description of Cobblers Cove and does not include the full tenth entry. The excerpt gives no publication date, and its descriptions do not establish when each photographed interior was completed. Those details remain unavailable in the source material provided here.
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No Further Milestone Listed
Veranda presents the rooms as design inspiration; the supplied material does not announce a follow-up, product launch or related event. Readers interested in a particular project can consult the original feature for its full image credits and room descriptions. Any broader claim about wicker’s current popularity would require additional evidence, such as market figures or reporting from designers and manufacturers.
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Key Questions
What did Veranda publish?
Veranda published a roundup of 10 interiors featuring wicker, including rooms in private homes, a historic ship setting and resort properties.
Does the article prove wicker is becoming more popular?
No. The feature presents selected design examples but supplies no sales data or trend measurements to show whether popularity has increased.
Which historic setting appears in the roundup?
Veranda’s feature includes the Titanic’s Café Parisien, described as a Parisian-style café furnished with wicker seating.
Where else does the feature show wicker?
Veranda’s examples include a Rome apartment, a Maine living room, an Alabama sunroom, and properties in the Bahamas, Dominican Republic, Mustique and Barbados.
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